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Frozen ( film) | Revolvy

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Their posture was too good and they were too well-spoken, and I feel like I really made this girl much more relatable and weirder and scrappier and more excitable and awkward.

I'm really proud of that. It has everything, but it's essentially about sisterhood. It's such a great relationship to have in movies, especially for young kids. Menzel had formerly auditioned for Tangled, but did not get the part. However, Tangled's casting director, Jamie Sparer Roberts, preserved a recording of Menzel's performance on her iPhone, and on the basis of that, asked her to audition along with Bell for Frozen.

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It was important to see the scope and scale of Norway, and important for our animators to know what it's like," Del Vecho said. That problem was not adequately solved until November ,[49]: The animators themselves may work on multiple characters but it's always under one lead. I think it was different on Tangled, for example, but we chose to do it this way as we wanted one person to fully understand and develop their own character and then be able to impart that to the crew.

Hyrum Osmond, the supervising animator on Olaf, is quiet but he has a funny, wacky personality so we knew he'd bring a lot of comedy to it; Anna's animator, Becky Bresee, it's her first time leading a character and we wanted her to lead Anna. This helped her discover elements that made the scene feel real and believable.

According to him, it lent a hyper-reality to the film: From a design perspective, since I was stressing the horizontal and vertical aspects, and what the fjords provide, it was perfect.

We encased the sibling story in scale. It was also Giaimo's idea that Frozen should be filmed in the CinemaScope widescreen process, which was approved by Lasseter. Giaimo also wanted to ensure that Norway's fjords, architecture and rosemaling folk art, were critical factors in designing the environment of Arendelle. Giaimo, whose background is in traditional animation, said that the art design environment represents a unity of character and environment and that he originally wanted to incorporate saturated colors, which is typically ill-advised in computer animation.

Peter Del Vecho explained that "the title Frozen came up independently of the title Tangled. It's because, to us, it represents the movie. Frozen plays on the level of ice and snow but also the frozen relationship, the frozen heart that has to be thawed. We don't think of comparisons between Tangled and Frozen, though. Maybe there's a richness to The Snow Queen in the country's heritage and they just wanted to emphasize that.

Disney wanted an "all-encompassing" and organic tool to provide snow effects but not require switching between different methods. Kenneth Libbrecht, a professor from the California Institute of Technologywas invited to give lectures to the effects group on how snow and ice form, and why snowflakes are unique.

It can be compressed into snowballs. All of these different effects are very difficult to capture simultaneously. The tool was capable of depicting realistic snow in a virtual environment and was used in at least 43 scenes in the film, including several key sequences.

Since snow doesn't have any connections, it doesn't have a mesh, it can break very easily. So that was an important property we took advantage of," explained Selle. It's very organic how that happens. Its complexity required 30 hours to render each frame, with 4, computers rendering one frame at a time. Numerous other typical cultural Scandinavian elements are also included in the film, such as stave churches ,[] trolls,[] Viking shipsa hot springFjord horses ,[] clothes ,[92] and food such as lutefisk.

According to Giaimo, there were three important factors that they had acquired from the Norway research trip: Tangled was originally called Rapunzel, but the name was changed to make it more gender neutral to appeal to boys. This move has caused quite a controversy so let me very quickly give my opinion on this pressing issue.

Long time ago, a teardrop fell from the sun, and instead of incinerating all life on earth, grew into a golden flower.

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This flower was discovered by an old woman named Mother Gothel Donna Murphy who found that by singing a certain song, the flower could turn her young again. How did she know the right words? Look, this whole sequence is pretty much a load of plotholes held together by spit and glitter glue. All in the game, yo. Also, I gotta point this out: Gothel steals the child and hides her away in a tower far away in the middle of the forest where no one can find her and raises her as her daughter.

So the movie begins and Rapunzel Mandy Moore is now about to turn eighteen. When designing Rapunzel the Disney team had an interesting challenge. The story basically demands that Rapunzel be a beautiful girl with long blonde hair. The trouble is, a beautiful girl with long blonde hair could very easily end up looking like Barbie and everyone hates that dead-eyed skank.

I actually love the design for Rapunzel, which is beautiful but also kind of dorky, with freckles, a faint lisp, a button nose and a slight overbite although I admit I only noticed that last one when I saw the movie in 3d. Rapunzel is paired with Pascal the chameleon, who is just adorable.

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The two muse about what to do, and Pascal wants to go outside but Rapunzel says that they need to stay in the tower which brings us to the first song When Will My Life Begin? A great Disney movie needs great songs and unfortunately early nineties Alan Menken was unavailable, leaving us with his less talented brother, early 21st century Alan Menken. He does the dishes without asking and his dick is shaped like a Y. Round here we do things my way.

At the tower, Rapunzel is working up the courage to ask Mother Gothel if she can leave the tower to see the floating lights that appear in the sky every night on her birthday. These are actually lanterns that everyone in the kingdom sets alight to guide the lost princess back home.

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Mother Gothel is a really interesting villain, lacking in power and magical ability but more than making up for it in guile and intelligence. Or at least, as much as a narcissistic sociopath can love anything or anyone other than themselves.

Gothel loves herself, ergo she loves the flower which keeps her young and beautiful, ergo she loves Rapunzel who keeps her young and beautiful. Her love of Rapunzel is borne out of her own narcissism, but it is real. But ultimately, I choose to believe that Gothel loves Rapunzel because it just gives the story so much more thematic weight and real-world resonance.

Very few of us are kidnapped from an early age to be raised by a stranger for their own nefarious ends, but all too many of us have a parent who genuinely loves us but is nontheless, you know, emotionally devouring us whole. I love you most. After scaring Rapunzel shitless with tales of red-toothed bandits, ravenous beasts and various members of the Cheney family, Gothel departs. Father to a murdered foal. And I will have my revenge. In this life, or the next. Well that seems both improbable and needlessly mean to Rupert Grint.

Anyway, Maximus is my favourite character in this and probably one of my favorite supporting characters in the canon. It works here though because unlike Buck, Maximus is fucking fantastic at it. This horse is like Judge Dredd with hooves. Of course in this situation the tricky part is what to do with the body. So Rapunzel stashes the unconscious Rider in her closet and finds the tiara in her satchel.

Gothel comes back and Rapunzel is about to show her Flynn as proof that she can take care of herself but Gothel goes completely psycho when Rapunzel even broaches the subject of leaving the tower so instead Rapunzel comes up with a plan. With Gothel gone, Rapunzel takes Flynn out of the closet and ties him to a chair. The stockholm syndrome kicks in pretty quick though, and Rapunzel is soon racked with guilt over lying to Gothel but nonetheless determined to press on.

This backfires on Flynn however, because the local ruffians recognise him from his wanted poster and send for the palace guards. To be a concert pianist. To find true love. That all men will be judged not by the colour of their skin but by the content of their character.

This is probably the best song in the movie, with Menken again being at his best with the lighter, funnier numbers. The guards arrive but the ruffians have a change of heart and help Flynn and Rapunzel escape through a secret passage. The guards have also brought along the Stabbington brothers, who they arrested earlier.

Rapunzel and Flynn are now getting chased by the guards, Maximus and the twins and get trapped by a dam. There is then a fight scene between Flynn wielding a frying pan and Maximus wielding a sword and it is every bit as batshit insane awesome as it sounds.

Rapunzel uses her hair to swing them across a ravine and then Maximus kicks out one of the support struts holding up the dam to get across to them. Let me repeat, he bursts the dam, flooding the entire valley just to get his man. Rapunzel and Flynn end up trapped in a cave with the water rising and no light to see a way out. Rapunzel tearfully apologises to Flynn for dragging him into this and he confesses that his name is actually Eugene Fitz-Herbert hah! She tracks them to the Snuggly Duckling and ends up roping the Stabbington Brothers into being her lackeys.

She gives Rapunzel the crown, telling her to give it to Rider and see how quickly he abandons her.